Luigi Antonio Irlandini

Duo Fogo Sonoro - Luigi Antonio Irlandini & Isabella Azdo Irlandini - 2015

Luigi Antonio Irlandini Biography





from top to bottom: Isla Vista, CA, 1998 - Perugia, 1993 - Eiheiji, Fukui, 2024 - CalArts, 1989 - UNILA, Foz do Iguaçu, 2014
Luigi Antonio Irlandini, Brazilian/Italian composer and instrumentalist (piano and shakuhachi), was born in the city of Rio de Janeiro, Brazil, in May 29, 1958. He writes instrumental and vocal music – solo, chamber and orchestral – with a special interest on percussion instruments, the shakuhachi, the piano, recorders, solo voice and vocal groups a cappella. As a composer-performer, Irlandini is often personally involved in the performance of his music both as a soloist or conductor. While his composed music is strictly connected to musical research, in which Western and non-Western, musical and philosophical, modern and ancient contents co-exist, forming his ideas of cosmofonia and musical cosmology, Irlandini's improvised music follows a completely different approach, connected to spontaneity and personal experience (as seen in his piano improvisation albums Azul e Areia, produced by Egberto Gismonti in 1985, and Surf Music, produced by Irlandini in 1999).
As a music professor at the Universidade do Estado de Santa Catarina, UDESC, Irlandini teaches counterpoint, harmony, analysis and composition, and has his research activities centered in the interdisciplinary study of music composition. The main research topics are circular and spiral musical temporalities, the presence of non-Western and ancient contents in 20th- and 21st century compositional poetics. An emphasis goes to Japanese music of the gagaku and honkyoku traditions as well as the traditions of Indian rāga. The study of the relation of music composition with mythical thought, archetypal symbology, the imaginary and spirituality is also concentrated by an emphasis on Japanese Buddhism and Indian Vedas. His research has been published in academic music journals such as Perspectives of New Music (USA), Gaudeamus Muziekweek (Netherlands), Opus, Revista Vórtex , and Per Musi (Brazil), some written in English, some in Portuguese, some in both. His first book, Música Nova do Mundo - no limiar de culturas, released in July 21, 2026 by Editora 7 Letras, collects articles about the interactions of New Music with non-Western musical traditions.
In 2019, Irlandini founded the International Shakuhachi Encounter of Santa Catarina (Encontro Internacional de Shakuhachi de Santa Catarina - EISSC), of which the Third Edition, EISSC-III will take place in Florianópolis in September 2026 (see EISSC page in this site).
Performers and Interpreters
Irlandini's music has been performed in Brazil, Argentina, the U.S., Italy, Holland and Japan by several musicians and ensembles, such as Maurício Zamith, Maria Bernardete Castelan Póvoas, Berenice Menegale, Marina Iwao and Kyungmi Nam (piano), Thomas Piercy (clarinet and hichiriki), Carlos Gontijo (saxophone), soprano Martha Herr, Silvia Cesco and Danton Oestreich (guitar), Kirk Brundage, Jean-Pierre Bedoyan and Mark Duggan (percussion); recorder soloists David Castelo (Brasil), Eva Legêne Anderson and Kees Boeke (Holland), Antonio Politano and Daniele Braghetti (Italy), Tosyia Suzuki and Seiko Tanaka (Japan), Brisk Amsterdam Recorder Quartet, cello and piano Duo Jarvis-Twitchell, Orquestra Filarmônica de Minas Gerais, Orquestra Sinfônica da UFRJ, Orquestra Sinfônica de Barra Mansa, Ensemble Gilberto Mendes, Grupo PIAP de Percussão da UNESP, Madrigal Contemporâneo (Rio de Janeiro), Contemporary Vocal Ensemble from University of Indiana, Bloomington, UC Davis Contemporary Music Players; conductors Cristina Emboaba, Carmen-Helena Téllez, Danielly Souza, John Boudler, David Ashbridge, José Gustavo Julião de Camargo, Marcos Arakaki, Thiago Santos and Anderson Alves) among others, in several festivals, concerts and monographic recitals, including the Bienal da Música Brasileira Contemporânea no Rio de Janeiro since 1983, the Rio International Cello Encounter (2005 and 2016), o 50mo Festival Música Nova Gilberto Mendes (2016) and the Festival Musica Riservata (1998, Vicenza and Varese, Italy).
Professional Activities
Lecturer: University of California, Santa Barbara (1998-1999), teaching composition and 20th-century music courses for graduate and undergraduate students of the College of Arts and Letters Department of Music and at the College of Creative Studies
Visiting Composer: Jacobs School of Music at University of Indiana, Bloomington,
February 2007
Waldorf Teacher Training and Waldorf Music Teacher Training courses at Sunbridge College (Chestnut Ridge, NY), Rudolf Steiner College (Sacramento, CA) and Waldorf Institute of Southern California (Northridge, CA), 2000 - 2006
Music Teacher and Music Program Director - Waldorf elementary, junior and high schools in the U.S., 2001 - 2009
Music Professor: graduate and undergraduate programs at Universidade do Estado de Santa Catarina, UDESC, in Florianópolis, Brazil, since 2010
Researcher: Japan Foundation Japanese Studies Fellow: activities with Reigakusha Gagaku Ensemble in Tokyo, June/July 2024
Published Scores
L.A.I. Editio Princeps - Luigi Antonio Irlandini–Editio Princeps
Original publications by the author. All scores are available directly from lai.cosmofonia@gmail.com.
Fortissimo Music Publications, Oleiros, Portugal
Porta do Sol... nos Confins do Mundo FMP 82011702
Orpheus Music, Armidale Australia
Partita OMP 142
Orpheus Music, Armidale, Australia
Agnistoma II OMP 062
Composition Awards
Prêmio Funarte de Composição Clássica, 2018:
Santuário de baleias, for soprano saxophone and strings orchestra, performed at the 24th Bienal de Música Brasileira Contemporânea in 2019
Prêmio Funarte de Composição Clássica, 2016:
Peace, my heart, for choir a cappella, on a poem by Rabindranath Tagore, performed at the 23rd Bienal de Música Brasileira Contemporânea in 2017
Prêmio Elisabete Anderle de Estímulo à Cultura 2017, which provided partial funding for the production of the CD Ākāśa, released in 2019.
Festival Tinta Fresca, 2012– Orquestra Filarmônica de Minas Gerais;
Phoînix, Bestiarium, Book I, # 2, for orchestra, special mention
New London Chamber Choir's 20th Anniversary Composition Competition:
Sacrifício, for choir a cappella, special mention
Chamber Music Corwin Competition Contest – California,1996, 1st prize:
Madrigal de fogo, for mezzosoprano, strings and percussion.
TRIMALCA (Tribuna de Música Latino-Americana e do Caribe), 1985:
A idade do ferro, for expanded piano, was chosen among three pieces to represent Brazil at the TRIMALCA.


Musical Studies
Piano studies with Nereida Nogueira (1976-1979) and Luiz Henrique Senise (1980-1982) in Rio de Janeiro.
Composition studies with Franco Cioci at the Conservatorio di Musica Luigi Cherubini, Firenze, Italy, 1982-1983
B.M. in Piano Performance with Estela Caldi, at the Universidade do Rio de Janeiro (UNIRio), 1983-1987
Composition and aesthetics studies with Hans-Joachim Koellreutter in Rio de Janeiro, 1985-1988
Composition studies with Franco Donatoni at the Accademia Superiore di Musica Lorenzo Perosi, Biella, Italy, 1988
Composition studies with Franco Donatoni at the Accademia di Musica Chigiana, Siena, Italy, 1989 and 1990
M.F.A. in Composition: with Stephen Lucky Mosko at the California Institute of the Arts (CalArts), 1989-1990; second emphasis in Hindustani music with Taranath Rao (tablā) and Amiya Dasgupta (rāga), and Javanese Gamelan with K.R.T. Wasitodiningrat
Ph.D. in Composition: with Brian Ferneyhough (UCSD) and William Kraft at the University of California, Santa Barbara (UCSB), 1994-1998; second emphasis on 20th-century modern music with Pieter van den Toorn and Hindustani and Middle Eastern music with Scott Marcus
Post Doctoral Researcher with JoAnn Kuchera-Morin at the Center for Research in Electronic Art Technology (CREATE, at UCSB) and with Michael Beckerman (at UCSB Music Department), 2000 - 2002
Shakuhachi studies at Shakuhachi Summer Camp of the Rockies in Colorado, 2006 and 2007
Shakuhachi studies with KAKIZAKAI Kaoru Sensei, Dokyoku, 2013-2017
Shakuhachi studies at the Kokusai Shakuhachi Kenshukan (KSK, International Centre for Shakuhachi Training), Dokyoku, Chichibu, Japan, March 2019
Post-Doctoral Researcher with Carole Gubernikoff at the Universidade do Rio de Janeiro (UNIRio), 2023-2024
Shakuhachi studies with Riley Lee, since 2024